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Belgian and European makers: why I choose the nearby

Working with nearby workshops changes what ends up in the shop: fewer references, more stories, and objects that can be repaired.

By Lara — published on 2026-08-18

Belgian and European makers: why I choose the nearby

When I left law to open Lära, I mostly knew what I didn't want: to sell objects I couldn't say anything about. Working with Belgian and European makers was the simplest answer to that.

Being able to answer 'who made it'

A nearby workshop means a name, a conversation, sometimes a visit. When you ask me where a piece comes from, I can tell you about the material, the firing, the time it takes.

That transparency isn't a marketing line: it's what makes an object worth loving.

Small runs, real choice

Small workshops produce little. That forces me to be selective, to keep only what I truly love, and it means you won't see the same object in every shop window in the neighbourhood.

Short supply chains, in practice

Less transport, clearer working conditions, timelines I can actually explain, and the option to reorder a broken piece rather than replace everything.

A choice with its own colour

There's also an aesthetic reason. Belgian and European craft has a restraint, an attention to materials, a simplicity I love: it's this family of shapes that gives the shop its atmosphere.

Frequently asked questions

Are all Lära's objects made in Europe?
The selection favours Belgium and Europe. When a piece comes from further afield, it's chosen for its workshop and craftsmanship, and I'll tell you so in the shop.
Can I order a specific piece from a maker?
Depending on the workshop and its lead times, sometimes yes. It's best to ask in store or over the phone.
Can handmade objects be repaired?
Often yes, or at least replaced piece by piece, which is already a huge difference from mass-produced ranges.